This story is for everyone--but not everyone is for this story.

It is a dangerous tale of times past. A love story full of deep seduction. A story of terrible longing and bold sacrifice.

Then as now, evil begins its courtship cloaked in light. And the heart embraces what it should flee. Forgetting it once had a truer lover.

With a kiss, evil will ravage body, soul, and mind. Yet there remains hope, because the heart knows no bounds.

Love will prove greater than lust. Sacrifice will overcome seduction. And blood will flow.

Because the battle for the heart is always violently opposed. For those desperate to drink deep from this fountain of life, enter.

But remember, not everyone is for this story.

"A heart-wrenching journey of redemption and hope that left me sobbing, laughing, and clinging to every word."--Donna McChristian, 44, Environmental Chemist

It is the first jubilee of the Lord’s second advent. To celebrate, an earthly publisher asks James, resurrected and again ministering in the Holy Land, to provide people with eye-witness reminiscences of his half-brother’s first advent. James shares a number of free-standing stories ranging from early childhood onward that, together, give an intimate portrayal of Jesus’ person and work. The Millennial premise stays quietly in the background, with James assuming his readers then well know what to us in the 21st century are mysterious hints. His stories tell of Jesus’ conversion from carpenter to teacher and more, of His increasingly fantastic and fabulous claims as the son, not of Joseph, but of God. The stories also tell of James’ struggle to process those claims as Jesus converts from big brother to Messiah and ultimately to King of kings and Lord of lords.

This is a short story, one in a series of as many as twenty-four.

Each story is a think piece, a work of literary art that strives to balance emotional appeal (pathos) with intellectual appeal (logos) and ethical appeal (ethos). Doctrinally, they conform to the ancient teachings of the prophets and the apostles. As to situations, they harmonize with the accounts as written in the four Gospels, and readers are encouraged to do as the Bereans did: search the Scriptures to see if it is so. Like the parables of Jesus, these stories are unabashedly prophetic; they speak God’s truth to people with ears to hear.

It is the first jubilee of the Lord’s second advent. To celebrate, an earthly publisher asks James, resurrected and again ministering in the Holy Land, to provide people with eye-witness reminiscences of his half-brother’s first advent. James shares a number of free-standing stories ranging from early childhood onward that, together, give an intimate portrayal of Jesus’ person and work. The Millennial premise stays quietly in the background, with James assuming his readers then well know what to us in the 21st century are mysterious hints. His stories tell of Jesus’ conversion from carpenter to teacher and more, of His increasingly fantastic and fabulous claims as the son, not of Joseph, but of God. The stories also tell of James’ struggle to process those claims as Jesus converts from big brother to Messiah and ultimately to King of kings and Lord of lords.

This is a short story, one in a series of as many as twenty-four.

Each story is a think piece, a work of literary art that strives to balance emotional appeal (pathos) with intellectual appeal (logos) and ethical appeal (ethos). Doctrinally, they conform to the ancient teachings of the prophets and the apostles. As to situations, they harmonize with the accounts as written in the four Gospels, and readers are encouraged to do as the Bereans did: search the Scriptures to see if it is so. Like the parables of Jesus, these stories are unabashedly prophetic; they speak God’s truth to people with ears to hear.

This entirely new translation of Critique of Pure Reason is the most accurate and informative English translation ever produced of this epochal philosophical text. Though its simple, direct style will make it suitable for all new readers of Kant, the translation displays a philosophical and textual sophistication that will enlighten Kant scholars as well. This translation recreates as far as possible a text with the same interpretative nuances and richness as the original.

It is the first jubilee of the Lord’s second advent. To celebrate, an earthly publisher asks James, resurrected and again ministering in the Holy Land, to provide people with eye-witness reminiscences of his half-brother’s first advent. James shares a number of free-standing stories ranging from early childhood onward that, together, give an intimate portrayal of Jesus’ person and work. The Millennial premise stays quietly in the background, with James assuming his readers then well know what to us in the 21st century are mysterious hints. His stories tell of Jesus’ conversion from carpenter to teacher and more, of His increasingly fantastic and fabulous claims as the son, not of Joseph, but of God. The stories also tell of James’ struggle to process those claims as Jesus converts from big brother to Messiah and ultimately to King of kings and Lord of lords.

This is a short story, one in a series of as many as twenty-four.

Each story is a think piece, a work of literary art that strives to balance emotional appeal (pathos) with intellectual appeal (logos) and ethical appeal (ethos). Doctrinally, they conform to the ancient teachings of the prophets and the apostles. As to situations, they harmonize with the accounts as written in the four Gospels, and readers are encouraged to do as the Bereans did: search the Scriptures to see if it is so. Like the parables of Jesus, these stories are unabashedly prophetic; they speak God’s truth to people with ears to hear.

It is the first jubilee of the Lord’s second advent. To celebrate, an earthly publisher asks James, resurrected and again ministering in the Holy Land, to provide people with eye-witness reminiscences of his half-brother’s first advent. James shares a number of free-standing stories ranging from early childhood onward that, together, give an intimate portrayal of Jesus’ person and work. The Millennial premise stays quietly in the background, with James assuming his readers then well know what to us in the 21st century are mysterious hints. His stories tell of Jesus’ conversion from carpenter to teacher and more, of His increasingly fantastic and fabulous claims as the son, not of Joseph, but of God. The stories also tell of James’ struggle to process those claims as Jesus converts from big brother to Messiah and ultimately to King of kings and Lord of lords.

This is a short story, one in a series of as many as twenty-four.

Each story is a think piece, a work of literary art that strives to balance emotional appeal (pathos) with intellectual appeal (logos) and ethical appeal (ethos). Doctrinally, they conform to the ancient teachings of the prophets and the apostles. As to situations, they harmonize with the accounts as written in the four Gospels, and readers are encouraged to do as the Bereans did: search the Scriptures to see if it is so. Like the parables of Jesus, these stories are unabashedly prophetic; they speak God’s truth to people with ears to hear.

The Works of Immanuel Kant in one collection with active table of contents.

Works include:
The Critique of Practical Reason
The Critique of Pure Reason
Fundamental Principals of the Metaphysic of Morals
The Metaphysical Elements of Ethics

The Works of Immanuel Kant in one collection with active table of contents.

Works include:
The Critique of Practical Reason
The Critique of Pure Reason
Fundamental Principals of the Metaphysic of Morals
The Metaphysical Elements of Ethics

It is the first jubilee of the Lord’s second advent. To celebrate, an earthly publisher asks James, resurrected and again ministering in the Holy Land, to provide people with eye-witness reminiscences of his half-brother’s first advent. James shares a number of free-standing stories ranging from early childhood onward that, together, give an intimate portrayal of Jesus’ person and work. The Millennial premise stays quietly in the background, with James assuming his readers then well know what to us in the 21st century are mysterious hints. His stories tell of Jesus’ conversion from carpenter to teacher and more, of His increasingly fantastic and fabulous claims as the son, not of Joseph, but of God. The stories also tell of James’ struggle to process those claims as Jesus converts from big brother to Messiah and ultimately to King of kings and Lord of lords.

This is one short story, preliminary in a series of as many as twenty-four.

Each story is a think piece, a work of literary art that strives to balance emotional appeal (pathos) with intellectual appeal (logos) and ethical appeal (ethos). Doctrinally, they conform to the ancient teachings of the prophets and the apostles. As to situations, they harmonize with the accounts written in the four Gospels, and readers are encouraged to do as the Bereans did: search the Scriptures to see if it is so. Like the parables of Jesus, these stories are unabashedly prophetic; they speak God’s truth to people with ears to hear.

It is the first jubilee of the Lord’s second advent. To celebrate, an earthly publisher asks James, resurrected and again ministering in the Holy Land, to provide people with eye-witness reminiscences of his half-brother’s first advent. James shares a number of free-standing stories ranging from early childhood onward that, together, give an intimate portrayal of Jesus’ person and work. The Millennial premise stays quietly in the background, with James assuming his readers then well know what to us in the 21st century are mysterious hints. His stories tell of Jesus’ conversion from carpenter to teacher and more, of His increasingly fantastic and fabulous claims as the son, not of Joseph, but of God. The stories also tell of James’ struggle to process those claims as Jesus converts from big brother to Messiah and ultimately to King of kings and Lord of lords.

This is one short story, preliminary in a series of as many as twenty-four.

Each story is a think piece, a work of literary art that strives to balance emotional appeal (pathos) with intellectual appeal (logos) and ethical appeal (ethos). Doctrinally, they conform to the ancient teachings of the prophets and the apostles. As to situations, they harmonize with the accounts written in the four Gospels, and readers are encouraged to do as the Bereans did: search the Scriptures to see if it is so. Like the parables of Jesus, these stories are unabashedly prophetic; they speak God’s truth to people with ears to hear.

This is the first English translation of all of Kant's writings on moral and political philosophy collected in a single volume. No other collection competes with the comprehensiveness of this one. As well as Kant's most famous moral and political writings, the Groundwork to the Metaphysics of Morals, the Critique of Practical Reason, the Metaphysics of Morals, and Toward Perpetual Peace, the volume includes shorter essays and reviews, some of which have never been translated before. There is also an English-German and German-English glossary of key terms.

Immanuel Kant's "transcendental" philosophy transcends the question of "what" we know to ask "how" we know it. Before Kant, philosophers had debated for centuries whether knowledge is derived from experience or reason. Kant says that both views are partly right and partly wrong, that they share the same error; both believe that the mind and the world, reason and nature, are separated from one another. Kant says that our reason organizes our sense perception to produce knowledge. The mind is a creative force for understanding the manifold of new, unconceptualized sense impressions with which the world bombards us. Kant says we cannot know the "thing-in-itself"—the object apart from our conceptualization of it. His influence on subsequent thought has been monumental; all of nineteenth and twentieth century philosophy stands in his debt.

This entirely new translation of Kant's Critique of the Power of Judgment follows the principles and high standards of all other volumes in The Cambridge Edition of the Works of Immanuel Kant. This volume includes for the first time the first draft of Kant's introduction to the work; the only English edition notes to the many differences between the first (1790) and second (1793) editions of the work; and relevant passages in Kant's anthropology lectures where he elaborated on his aesthetic views.

This new, revised edition of Kant's Prolegomena, the best introduction to the theoretical side of his philosophy, presents his thought clearly through careful attention to his original language. Also included are selections from the Critique of Pure Reason, which fill out and explicate some of Kant's central arguments (including famous sections of the Schematism and Analogies), and in which Kant himself explains his special terminology. The first reviews of the Critique, to which Kant responded in the Prolegomena, are included in this revised edition. First Edition Hb (1997): 0-521-57345-9 First Edition Pb (1997): 0-521-57542-7